Old roman pavement on a street in Pompeii
Удивляет скорость роста деревьев на местах раскопок и эти объемные хреновины в ряд ...
Потырим чутка из Pompeii: The Life of a Roman Town
Pompeii Porta Marina. Old postcard.
Allied bombing in 1943 did terrible damage to Pompeii, destroying many major buildings. This shows the condition of the House of Trebius Valens after the raids. Many of the bombed buildings were so expertly rebuilt after the war that you would never guess that they had been, to all intents and purposes, destroyed again.
An excavation of the 1930s. Pompeian houses do not emerge from the ground in a pristine state. In fact, the force of the eruption means that they look rather as if they had been bombed. Here the painted plaster of the upper floor has collapsed into the rooms below.
The fact is that we know both a lot more and a lot less about Pompeii than we think.
Середина 19 века известна как эпоха "Рисорджименто" ,
что в переводе с итальянского означает "Возрождение" .
что в переводе с итальянского означает "Возрождение" .
Возродиться им явно не дали ... мозолили Помпеи кому глаза очень очень ... так что БОМБ жмеринские ГУАНИтарии явно не жалели.
... by Allied bombing campaigns in 1943 (Ill. 9) which wrecked several areas of the town (most visitors have no clue that considerable parts of the Large Theatre, for example, and of the Forum, as well as of some of the most celebrated houses, were almost entirely rebuilt after the war, or that the on-site restaurant was planted on one area of particularly devastating bomb damage);
For a start, much of it is heavily restored, and not just after the wartime bomb damage. It comes as quite a shock to look at photographs of the buildings as they were excavated (Ill. 10), and to see in what a poor state most of them were found. Some, it is true, have been left just like that. But others have been smartened up, their walls patched and rebuilt, to hold new roofs – primarily to protect the structure and decoration, but often taken by visitors for miraculous survivals from the Roman period.
More than that, the city has been given a new geography. We now navigate Pompeii using a series of modern street names: amongst them, Via dell’Abbondanza (the main east–west thoroughfare leading directly to the Forum, named after the figure of the goddess Abundance carved on one of the street fountains), Via Stabiana (intersecting Abbondanza and leading south towards the town of Stabia), and Vicolo Storto (Twisty Lane, so-called for obvious reasons). We have almost no idea what these streets were called in the Roman world. One surviving inscription seems to suggest that what we call the Via Stabiana was then the Via Pompeiana, while referring also to two other streets (Via Jovia, that is Jupiter Street; Via Dequviaris, perhaps connected with the town council ordecuriones) which cannot be pinpointed. But it may well be that many did not have specific names in the modern way. Certainly there were no street signs, and no system of using street name and house number to give an address. Instead people used local landmarks: one landlord, for example, had his jars of wine delivered (as we can still read round the top of one): ‘To Euxinus [which translates roughly as ‘Mr Hospitality’], the innkeeper, at Pompeii, near the Amphitheatre’.
We have likewise given modern names to the town gates, calling them after the place or direction they faced: the Nola Gate, the Herculaneum Gate, the Vesuvius Gate, the Marine Gate (towards the sea) and so on. In this case, we have a rather clearer idea of what the ancient names might have been. What we call Herculaneum Gate, for example, was to the Roman inhabitants the Porta Saliniensis or Porta Salis, that is ‘Salt Gate’ (after the nearby saltworks).
Значит там что было связано с СОЛЬЮ ...
A city of surprises
Pompeii is full of surprises. It makes even the most hard-nosed and well-informed specialists rethink their assumptions about life in Roman Italy. A large pottery jar with a painted label advertising its contents as ‘Kosher Garum’ reminds us that men like Umbricius Scaurus might be looking to serve the niche market of the local Jewish community (with a guarantee of no shellfish among the now unrecognisable ingredients of that rotten concoction). A wonderful ivory statuette of the Indian goddess Lakshmi, found in 1938 in a house now called after it ‘The House of the Indian Statuette’, encourages us to think again about Rome’s connections with the Far East (Ill. 11).
This ivory statuette of the Indian goddess Lakshmi offers a glimpse of the wide multicultural links of Pompeii. Goddess of fertility and beauty, she is depicted nearly naked apart from her lavish jewels.
Map of area surrounding Pompeii
Located on the western edge of the city, above the old city wall, the House of Fabius Rufus enjoyed a enviable view over the sea. It was designed to make the most of this, with large windows and terraces.
The view towards the stage of the Large Theatre – and towards the more spacious seats for the elite on the front rows. The wooden stage in this photograph has been inserted for a modern performance.
The arena of the Amphitheatre. The front rows of seating for the elite are clearly visible, marked off from the main seating behind. The main entrances for gladiators and animals lie at either end of the oval fighting space.
Итого имеем СОЛЬ, РЕКА, странное название для города "НАСОНАЯ", ТРИ непонятных АМФИТЕАТРА, БОМБАРДИРОВКИ руин и ПЕРЕСТРОЙКУ большинства руин после 2 МВ.
Сложим все в кучу и предварительно получаем ТРИ промышленных комплекса на энергии СОЛНЦА.
Решаемые задачи :
1. ПЕРЕКАЧКА ВОДЫ из реки в систему водоснабжения Неаполя или еще какого то города на побережье что возможно вообще буль буль как побережье Франции Венецианский залив.
2. ВЫПАРИВАНИЕ СОЛИ.
3. ПРОИЗВОДСТВО ЭЛЕКТРОЭНЕРГИИ